It wasnt actually the most productive day I have had in a while. Throughout the afternoon I kept making one mistake after another. While checking the calendar to answer a question for my wife I realized that it was Friday the 13th. Not wanting to continue to tempt the fates, I packed it in, took a couple of pictures and called it a day.All I got for about 4-hours of work was a mounted Veritas Low-Angle Jack Plane with uncentred mounts...damn, and this...
The mount for the Stanley 71 with all its accompaniments will give you an idea of where Im headed with this. Im trying to produce something that flows together, which is why the accessory display is moulded to the mounts and the bottom mount for the 71 is also the top mount for the No.8. While Ill do the moulding trick to all the tools that have accessories, I wont do the combined mounts that often. I think that if it is done once too often, it will start to resemble a crazy maze.I kept the sides of the 71s mounts
square as I dont have a clue yet which plane Im going to mount beside it. I know the 271 has to fit in here somewhere, but Im just not sure where yet. By keeping the ends square and keeping the horizontal-grained bottom layer shorter than the top, it will be an easy process to tie into them to continue on. If I dont want a continuation of the mounts, I can just reshape whats there to whatever I find pleasing.
And speaking of shapes, as you can see, there are no fancy edges or carving on any of these, even though 80% of the work on each has been done with chisels. I thought the hard look of the tools would be accentuated and would add more to the display if they were placed up against soft curves, so the only shaping Im doing on the mounts is giving all their edges a soft round-over. So far, it isnt really working for me, but I think once the walnut has a few coats of satin varnish on it, darkening it, the shape contrast might pop a little more and the tonal contrast will be less, at least I hope so.
Next up is the No.10½. I have been looking forward to getting at this one for a week or so, ever since I came up with a design for a horizontal locking mount for it. It should be an interesting build and a hell of a buzz if it works.
Ill catch you up on how I make out with it in a few days.
For my Jewish readers on this, the start of Yom Kippur, I wish you an easy fast.
Peace,
Mitchell
And speaking of shapes, as you can see, there are no fancy edges or carving on any of these, even though 80% of the work on each has been done with chisels. I thought the hard look of the tools would be accentuated and would add more to the display if they were placed up against soft curves, so the only shaping Im doing on the mounts is giving all their edges a soft round-over. So far, it isnt really working for me, but I think once the walnut has a few coats of satin varnish on it, darkening it, the shape contrast might pop a little more and the tonal contrast will be less, at least I hope so.
Next up is the No.10½. I have been looking forward to getting at this one for a week or so, ever since I came up with a design for a horizontal locking mount for it. It should be an interesting build and a hell of a buzz if it works.
Ill catch you up on how I make out with it in a few days.
For my Jewish readers on this, the start of Yom Kippur, I wish you an easy fast.
Peace,
Mitchell
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